The Acolyte has come to an finish with huge reveals, big connections, and a brand new established order starting to ripple its method throughout the galaxy far, far-off. However whereas io9 has already sat down with one of many darkish brokers shaping that established order, it’s solely honest that we communicate to their apprentice, too, isn’t it?
The Acolyte‘s season finale presents the fruits of a protracted, unusual journey for twin sisters Osha and Mae. With their roles basically reversed—Mae’s quest for revenge towards the Jedi that upended her life climaxing together with her selecting to have her reminiscence wiped to maintain Osha secure, whereas Osha herself embraced the darkness simmering inside her to take Mae’s place because the apprentice of the mysterious Stranger—the stage is about for a tumultuous time within the Star Wars galaxy. To seek out out extra about Osha and Mae’s divergent paths, and their relationship to the darkish aspect and to the Stranger notably, we spoke with Acolyte star Amandla Stenberg to look again.
James Whitbrook, io9: What was it like for you on set as an actor having to not simply play Osha and Mae throughout the collection, however exist in that house the place you’re moving into the headspace of those two sisters on the identical time?
Amandla Stenberg: Oh yeah, it was so fascinating. There was a couple of various things for me to consider once I thought of their physicality, how they is likely to be alike in that method, how they is likely to be completely different. First off, I assumed it could simply be extra attention-grabbing in the event that they had been very completely different folks. I wrote intensive backstories [for both Osha and Mae], and thought lots in regards to the thought of nature versus nurture—how they may have been once they had been very small, and the way ideologically may need been very completely different from one another, simply combing by the subtext of these flashback episodes. That was actually useful for me in writing these backstories.
However then I additionally thought in regards to the progressions of their lives, and the way that formed them—I can discuss it extra in a form of lore-y method now. Sol says within the finale that they’re the identical individual. And as we obtained into that dialogue, as a result of, you recognize, there’s this historical past in Star Wars of clones. I talked to Leslye [Headland, The Acolyte showrunner] after we had been going into pre-production, I stated “properly, are they clones of one another? Does that imply I ought to play them as the identical individual?” and that’s when she stated “No, it’s going to be associated to a vergence within the Drive.” [When I heard that I said] okay, it’s going to should do with the manipulation of the Drive, and midi-chlorians—and I heard about their mystical origin story. I assumed “properly, then in the event that they are the identical individual, then there’s this chance for me to consider them as representations of the sunshine and the darkish aspect of the Drive,” and for his or her essences to be in flux in relation to one another, like yin and yang.
io9: I’m glad you talked about the Brendok episodes—clearly you don’t seem in these, however they’re essential to our understanding of Osha and Mae as characters. Did you get to be on set throughout filming these episodes, or to work together with Lauren and Leah [Brady, the twin actors for Young Mae and Osha]?
Stenberg: So I truly flew out to LA months earlier than I even obtained to London for pre-production, and I learn with a number of twin units of actresses. When Leah and Lauren got here in, I simply instantly fell in love with them. We bonded so onerous, in a short time—we performed collectively, and we talked, after which I learn the scenes with them and I gave them notes. So going into filming, we already had this relationship, and I obtained very near them. Whereas we had been filming I’d take them out for top tea and attempt to spend as a lot time with them. There have been positively parts of [their performances] that I primarily based my characterization off of as properly. There have been consistencies I wished there to be from them as youngsters, and them as adults. Kids are simply so stunning, I simply discovered a lot from them as properly. They actually impressed me and helped me create the grownup variations of Osha and Mae.
io9: Wanting again to the finale, I wished to ask a few huge second for Osha, bleeding Sol’s lightsaber. What was that second like for you, what was going by your head, for the way Osha felt, within the second that change occurs?
Stenberg: I consider it as form of like… form of a victorious tragedy, or a tragic victory. One of many first issues I thought of was Anakin Skywalker, and the form of incredulous response you may should your individual darkness. Osha goes by so a lot at that time: shock, embodiment, reclamation of her personal I energy. I simply tried to steadiness these issues as finest I might. It felt vital to me that her sort-of-victory was the permission that she gave herself, and the permission she was given by having all the fact lastly at her disposal, to really feel issues and to lean into her personal emotionality. As a result of she’s somebody who has lived a really emotionally repressed life as much as that time. That felt to me like one of the best illustration of her flip to the darkish aspect, but in addition this shock at your individual energy—we’re usually afraid of our personal energy.
io9: Constructing off of that, we see Osha in a role-reversal with Mae and go off to change into the Stranger’s new Acolyte. Manny Jacinto has spoken in prior interviews in regards to the sensuality and seduction in Osha and the Stranger’s relationship, however what was it like so that you can play that relationship with him, in distinction to taking part in Mae’s relationship with him?
Stenberg: It’s so attention-grabbing as a result of folks love the romantic, or form of seduction aspect of their relationship. I wasn’t essentially pondering of it actively whereas navigating that a part of Osha’s trajectory—I feel the explanation why it reads with a lot stress, is as a result of Osha is lastly being given the chance. She’s totally being seen by another person, in an actual method, you recognize, the darkest and deepest components of herself are being seen. And I feel there’s one thing very romantic about that.
There’s additionally one thing romantic about this ideological union that’s taking place, of those two individuals who come to imagine the identical issues in regards to the world. I feel that simply creates a form of profound connection between folks, and that’s why it feels that method. I’m glad that labored, as a result of that was our hope. We wished there to be this romantic stress and the sense of a union, whereas additionally not explicitly portraying it that method—simply portraying the storyline, which is that this younger lady who has not had the chance to totally be herself, and be snug. After which she finds an individual, and a spot, the place she does.
The Acolyte is now streaming on Disney+.
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